Tree
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
Authors: Tatiana Ponomareva Publication language: Angielski Number of pages: 14 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
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About authors
TATIANA PONOMAREVA, Director of the Vladimir Nabokov Museum in St. Petersburg since 2002, a board member of the International Vladimir Nabokov Society. She organizes and speaks at the annual “Nabokov Readings” international conference. She initiated the publication and has since edited and contributed to the Набоковский сборник, a bilingual journal of Nabokov studies and edited selected works by V. D. Nabokov До и после Временного правительства (Симпозиум, 2016). She is now working on a biographical study of the Nabokov family that will include new material from private archives. Apart from academic publications, she also gave many interviews and wrote articles for various Russian and foreign media, initiated a number of art exhibitions (painting, graphic art, photography) on Nabokov themes and created the concept and acted as a script consultant for the documentary film “Nabokov: The Russian Roots.”