Tree
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
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MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
Authors: Gerard de Vries Publication language: Angielski Number of pages: 11 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
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Gerard de Vries
GERARD DE VRIES is an independent scholar who published many articles on Nabokov’s work in American, French and Russian academic journals since his first paper in Russian Literature Triquarterly in 1991. With D. Barton Johnson he wrote Nabokov and the Art of Painting (Amsterdam 2006) and recently his monograph Silent Love. The Annotation and Interpretation of Nabokov’s The Real Life of Sebastian Knight has been published (Boston 2016).