Tree
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
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REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
Authors: Olga Dmitrienko Publication language: Angielski Number of pages: 12 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
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Olga Dmitrienko
OLGA DMITRIENKO, Professor in the Department of Book Edition, St. Petersburg State University of Industrial Technology and Design. Philologist. The title of her D.Sc. dissertation (defended in 2017 at the Institute of Russian Literature Pushkin House, Russian Academy of Science) is Poetics of Nabokov’s Prose Written in Russian: Representation of Religious-Philosophic and Religious-Mystical Ideas. Key publications include the monograph Сквозь витражное окно. Поэтика русскоязычной прозы Набокова [Through the Stained Glass. Poetics of Nabokov’s Russian Novels] (2014); articles “The Myth on Heavenly Nymphs and Cloudy Virgins in ‘The Spring in Fialta’ by V. Nabokov” (2004); “Automatic Writing and Traditions of Glossolalia in the Novel Invitation to a Beheading” (2014), etc.