Drzewo
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
Autorzy: David Potter Język publikacji: Angielski Kategoria: Literature & literary studies Indeks wydawcy: - Nota bibliograficzna: -
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O autorach
David Potter
DAVID POTTER is a postgraduate research student and tutor in the English department at the University of Sydney. Though still an early-career academic, he has published a long-form review-essay about the Gennady Barabtarlo-edited collection Insomniac Dreams for Sydney Review of Books, and has presented at the annual Nabokov Readings conference at the Vladimir Nabokov Museum in Saint Petersburg, Russia.