Drzewo
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
Dostęp darmowy
VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
Autorzy: Péter Tamás Język publikacji: Angielski Liczba stron: 18 Formaty publikacji: Kategoria: Literature & literary studies Indeks wydawcy: - Nota bibliograficzna: -
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O autorach
Péter Tamás
PÉTER TAMÁS is a doctoral student in the Modern English and American Literature program at Eötvös Loránd University in Budapest, Hungary. He is writing his dissertation on the presentation of ethical concepts in Lolita. He has published several articles and reviews on Nabokov, in the Nabokov Online Journal among other journals. He is a Fulbright alumni.